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engineering the presence of gods: secret temple tech + unlabeled tech-artefacts at cairo museum + HatHor temple key mural variation — it DOES NOT EXIST IN Auguste Mariette’s 1870s drawings

related: South Crypt mural, the so-called “dendera light” (A.Mariette: “Crypte 4”)
in the same crypt as the only other depiction of the so-called “Menat Necklace”
Wolfgang Waitkus: “Die Texte in den Unteren Krypten des Hathortempels von Dendera” (Crypt East 1 A East Wall)

dendera HatHor crypt text: (“[Come] in peace, In-Secret-Initiate of holy places, young man [……rest destroyed]”)

1) Undocumented rarely-seen mural variation
2) Unlabeled rarely-seen technological museum artefacts match the mural
3) Engineering the Presence of Gods: Esoteric Compartmentalised “temple technology”, secret inventions exploited in Ancient temples, kept secret from commoners
4) Ceremonial Function: the Encrypted Ritual Objects of the HatHor temple Dendera were “Given Life” on Holy Days and Brought Up

Undocumented rarely-seen mural variation

in the chambers above the crypts of the temple of HatHor in dendera, there exists the only other mural of the so-called “menat necklace” device, also depicted in one Crypt (A.Mariette: “Crypte 4”). i was lucky to get photos of this, and i cannot find any other photos of it online.

THIS IS THE ONLY OTHER INSTANCE WHERE THIS OBJECT appears in the complex, and it DOES NOT EXIST in Auguste Mariette’s 1870s drawings which are the go-to source for most egyptologists (see: … more missing too)

compared to the one in the crypt, if we look closely, it has slight variations on the details. of particular interest it seems to show equidistantly-spaced cylinders around the cables, as opposed to a series of circles.

this arrangement matches the unlabeled artefacts i found in the Cairo museum: copper & iron rods with equidistantly-spaced cylinders around the rods, grouped with heads of HatHor “terminals(see below — i am also awaiting a reply from the ministry of tourism & antiquities regarding any information on them)

the undocumented, rarely-seen section:

equidistantly-spaced cylinders around the cables (in contrast to a series of circles) the “terminals” are styled as heads of HatHor as usual, but the cables seem to terminate differently this variation too, a “flower” appears on the left bottom piece:

Unlabeled, rarely-seen museum artefacts match the device

LOOK AT THIS AMAZING NECKLACE!!! <3 (the unlabeled cabinet i discovered in the Cairo museum — cannot find a photo of this anywhere else or any information on it)

iron rod, copper rod, equidistantly-spaced cylinders around the copper rod, and terminal-like parts styled as the heads of HatHor

the different variety of the cylinders and heads may indicate different usage and functions. some have square holes, some have round holes, some are different materials/colours, some have bulges, etc., and we see one type of cylinder used repeatedly along the copper rod. they also may have been experimenting to find optimal materials.

the copper and iron rods exhibit high levels of rust/oxidation — the iron rod in particular — possibly from immersion or exposure to fluids, for example using an iron rod surrounded by copper, in a jar filled with electrolytic fluid (grape juice, etc) similar to the “baghdad(/parthian) batteries”.

there most likely are many more related artefacts in their collection

below is the mural variation from the crypt, the only other place it is depicted in the entire dendera complex, note here we do not see the equidistantly-spaced cylinders, nor the “flower” at the base of the left piece … possibly simplified elements … (the zig zag inside the circle is missing from A.Mariette’s 1870s drawing):

South Crypt mural, the so-called “menat necklace” (A.Mariette: “Crypte 4”)

Cases of Compartmentalised technology, secret inventions in Ancient temples such as in Alexandria, kept secret from lay worshippers, engineering the presence of gods

Statues in temples that would “cry blood”, there were thunder machines in temple roofs that would emulate the sound of thunder as a sign from the gods, altars for fire sacrifice that would cause a door to open when the fire was made — statues that animate — and even lesser known would be ritual objects and electrified statues that would either shock the common worshipper or cause a tingling sensation — and ones possibly with electrically-illuminated elements.

it is known that in various ancient temples including in Alexandria the initiates/elite priests of those temples sometimes exploited secret inventions & “magical” technology to create impressions on the lay people who came to worship, effectively engineering a sense that “the gods” were present, or that a prayer or sacrifice was answered, etc.

Much of this “temple technology” was kept compartmentalised & secret, it was for the initiates (maybe prescribing punishment of death for revealing secrets), and the common people were not taught these early “magical” technologies. The secrecy of the early esoteric temple technology was absolutely essential for the desired effect.

Consequences of this is that the technology is easily lost to the sands of time, after wars. in cases where we do find references, key pieces may be in a symbolic form which was only easily-understood by the initiates (i.e: Agastya Samhita listing “the neck of a peacock” ingredient, which was a symbolic reference to copper sulfate to make electrochemical jars, copper sulfate being the same colour as the neck of a peacock)

We have a few documented examples of related technology such as from Hero of Alexandria though there must have been much more, not least the public inventions lost to the destruction of the library of Alexandria, but also the secret temple technology which required strict secrecy of the inventions for them to be effective in maintaining the “presence of the gods” effect. It simply would not have the desired effect if people could see “the wizard pulling levers behind the curtain”

the Encrypted Ritual Objects of the HatHor temple Dendera were “Given Life” on Holy Days and Brought Up

In the case of the temple of HatHor at dendera, we know the crypts were for the initiates of the secrets, and the special “ritual objects” were kept down there, together with symbolic esoteric murals for the initiates:

Wolfgang Waitkus: “Die Texte in den Unteren Krypten des Hathortempels von Dendera” (Crypt East 1 A East Wall)

(“[Come] in peace, In-Secret-Initiate of holy places, young man [……rest destroyed]”)

Those “ritual objects” were brought up from the crypts only on specific festivals and holy days, and on those days it says they were “given life” in the crypt and brought up — the Ba/Ka (energies of life) were manifested in the idols on those special days, and the people rejoiced in reverence

Wolfgang Waitkus: “Die Texte in den Unteren Krypten des Hathortempels von Dendera” (with a dodgy google translate)

Given that we know Alexandria and other locations had “temple technology” to amaze the oblivious lay-people, it would make sense that the “Ritual Objects” that are “Given Life” from the crypts of the temple of HatHor most likely exhibited “magical” properties to engineer the sensation in the lay people that the gods were truly present on those special holy days, when they took the ritual objects to the roof and other places for a spectacle, a microcosmic ceremony where the images of the gods were “given life”, made themselves apparent, much more than just simply bringing up lifeless statues.

Huge key sections of the crypts have been hacked off, but even with what they left us we can see what appear to be symbolic references to technological devices, and possible archaeological evidence of electrical components for some of those devices in an unlabeled cabinet in the cairo museum (iron rod, copper rod, cylinders, HatHor head terminals).

The Agastya Samhita told us to use “the neck of a peacock” to make electricity, we now know it meant copper sulfate.

So what of harsomtus the serpent coming alive and being contained in the hn-container, supported by the anthropomorphised djed pillar, the “ba” and “ka” energy manifesting, etc.

One must strive to see these crypts through the eyes of the initiates of the secrets, not as a lay-person.

more to come, and will be updated with more sources, references, and connections…

a small selection of many photos i took of mostly South Crypt (A.Mariette: “Crypte 4”), where the so-called “dendera light” mural is located, the same Crypt with the so-called “menat necklace” with cables coming out of the head terminals. All the main murals of West Crypt (“Crypte 7”) have been mostly hacked off


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Nagasaki peace memorial looks like SATAN

Nagasaki peace memorial looks like SATAN from Pandæmonium (“paradise lost”)

Pandæmonium is the capital of Hell in John Milton‘s epic poem Paradise Lost.

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My Precognition & Synchronicities regarding 「COVIDー19」, working with Egyptian mummies ☣️

i will try to give a timeline of the most serious of my precognitions & synchronicities, which i posted to my twitter from 2019.

Please note: the Necromancy with Egyptian mummies at the Museum goes as far back as 2012, and I have a horus-falcon apparition in a Glass from previous rituals … i will post about that soon after this post.

almost all of the pieces were posted to my twitter @ashtarventura / @_Ashtar_Ventura which was recently suspended for using the most ancient Swastika symbol (some people have Swastika-phobia???)

i will still include the direct permalinks to each timeline post, the links work but say the account is “suspended” — they should work fully as normal if/when the account is unsuspended, so i will include all the permalinks here. the screenshots i am still able to get from the data archive provided by twitter.


1. i had a strange dream on 11th November 2019:, precognitive of a CORONA event:

i dreamt there was a fiery manifestation on the horizon in the daytime
it was not “filled”, but a fiery ring on the Horizon (a fiery Corona)

in the dream there was an old man in the field who was calm and signalled to me not to worry, like it was a cyclical thing, i would not be harmed walking through it

the fact it was on the horizon symbolised something coming in the near-future

(i have tweets explaining the extra details but cannot find them in the data archive twitter has given to me right now, will update with those links if i find them …)

2. 17th November 2019, i make a rhyme “Greet with the Feet, not the Hand that touch the Meat!”

This rhyme i made after seeing this medieval illuminated manuscript image of people touching the feet (on an Arany Zoltan youtube clip), together with posting at the time about masonic handshakes and saying to greet with the feet not the hand that touched the meat, as a joke (i am vegan.)

Synchronicity/Precognition: During the COVID-19 scenario, people were encouraged to avoid handshakes, and in some places like in China there were videos of people greeting with the feet, just like i Rhymed.

(another post i cannot find in my twitter data is the masonic handshake imagery i shared close to this… but i can find this one below:)

3. November 18th – 20th 2019 i was loading up on food, not toilet paper … (mostly organic vegan babyfood smoothies and beans)

4. 19th November 2019: “has bill gates killed himself yet? i thought he wanted to reduce the population?”

5. 29th November 2019: i wear my mask, gloves, hood, and go to the museum for necromancy rituals with Egyptian Mummies.

the mask i was wearing is from KRY clothing, i picked it up in Japan from my trips there in 2017-2019 where i also sometimes wore a mask out of my own choice and etiquette or if it was cold like wearing a scarf, not because the TV or some so-called “expert” tells me to do so

i was wearing gloves, and the eye of horus i made from raw lapis lazuli using a dremel drill clone (and wearing goggles at some points). i also had a 1/4oz pure gold coin offering “falcon of the plantagenets” design.

when the COVID-19 scenario started, the entire world was then instructed to wear Mask, Gloves, and even Goggles (to protect the eyes from a so-called pandemic virus)the same as my Ritual Regalia

Egyptians were vegetarian, i haven’t ate meat since 2012 when i started doing rituals at the Museum and had apparitions appear (i will post about soon). Being vegan means our body is not a graveyard, so any spirits which may want to work may find it inviting and a body as a temple, not as a graveyard.

the cabinet housing the mummies is slightly loose and one can pry it open slightly and inhale the scents of the ancient mummies (one is a falcon, and yes there are human bodies in there). one can smell “Egypt” and the mummies just by visiting that part of the Museum, if one has a good sense of scents/smell.

prior to starting this ritual i had to walk through the “German Market” stalls, and the stench of flesh being cooked was overwhelming and putridly disgusting, all sorts of weird meat being cooked, funky oven vomit, stench from the vents …
before ascending to the 3rd floor of the museum i ate a vegan meal in the Edwardian Tearoom (ET) at the ground floor, the plate was round, and it seemed like symbolically eating the planet, the food of the planet, but also the plate being the planet, round … letting off a series of belches i then walked to the stairs, sort of pointing finger downwards as i walked, indicating something below as i was walking (there are not-so-secret tunnels off-limits to museum staff) and then went to ascend to the 3rd floor.

soon i will post more about the rituals i done from 2012 and the apparition which manifested.

here is the post about the drill i used to make the eye of horus from raw lapis lazuli (lapis lazuli sourced from Badokshan Mines, “Afghanistan”, the same ancient place the ancient Egyptians and Mesopotamians got it from)


  • PRECOGNITIVE DREAM about a fiery CORONA on the horizon, symbolic of something about to come soon (and safe to pass through)
  • hoarding food

… what?

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Santani Sounds LIVE @ 2020.12.17 2000 UTC SDF.ORG with 𒀭Ashtar 卐Ventura

LIVE CAST talking about “THE BEGINNING OF THE END”, Israeli PSYOPS regarding Aliens and Martian Underground Bases Covering up EXPERIMENTS ON EARTH DEEP UNDERGROUND MILITARY BASES, Vaccine Operation WARP SPEED, etc., Viktor Schauberger Flying Disc technology (“UFO”) Linux Kernel realtime vs server, etc., freestyle as usual …

1 KANEDA [金田] – 能山城組 Symphonic Suite AKIRA
2 TETSUO [鉄雄] – 能山城組 Symphonic Suite AKIRA
3 It’s Cold Outside – Red Dwarf

Documentary about VIKTOR SCHAUBERGER and the FLYING DISC technology i refer to (including NASA explaining they “lost a piece”, apparently …)