Posted on Leave a comment

Maha Kala Bhairava Stotram esoteric Translation

maha kala bhairav stotram / ashtakam (“yam yam yaksha roopam…”) ::::

one of the most powerful Stotram i have heard and resonated with over the years is the Maha Kala Bhairava Stotram / Ashtakam, also known as the “Yam Yam Yaksha Roopam…” stotra.

There are many translations given to the lay people, but several years ago i came upon a website that offered close-to-literal translation of the actual Sanskrit words and an interpretation based on the meanings,

The website no longer seems to be accessible, but luckily it is archived at the internet archive wayback machine, and i will reproduce it here for an extra backup and a journal entry. I will also arrange it in a whole piece first, followed by the given literal translation of each sanskrit word … instead of split into different pages as the original website had it.

After this, i will copy directly from the website including the Author’s remarks, as can be seen in the archived websites.

Curiously, to me the verses sometimes seem like they could be alluding to the power of the Sun and Coronal Mass Ejections and Filaments erupting (???)

Hopefully someone finds it as useful as i did.

original links:
https://ancientinsight.online/2018/08/26/maha-kalabhairava-stotram-verses-1-2/
https://ancientinsight.online/2018/09/09/maha-kalabhairava-stotram-verses-3-4-5-6/
https://ancientinsight.online/2018/10/13/maha-kalabhairava-stotram-verses-7-8/

wayback links:
https://web.archive.org/web/20201125220442/https://ancientinsight.online/2018/08/26/maha-kalabhairava-stotram-verses-1-2/
https://web.archive.org/web/20200926041833/https://ancientinsight.online/2018/09/09/maha-kalabhairava-stotram-verses-3-4-5-6/
https://web.archive.org/web/20201125223559/https://ancientinsight.online/2018/10/13/maha-kalabhairava-stotram-verses-7-8/

audio of the stotram is above ^^^


Yam is spirit form known in 10 directions as matter enjoying comfortable ideas

Sam is the form of the collection of the entangled environment of bright light at the crown of the head

Dam is intense collection of the changing face of fierce thoughts of this immense void

Pam is the destruction of imperfection of that perpetual thought of prana, that preserves the unmanifested environment

Ram is the adhesive noise when two immense hot sharp edges are rubbed together

gham is noise, noise indeed made of gurgling noise, violent noise

kam is the trap of time bearing the radiant heat of desire 

tam is the sublime body of that perpetual thought of prana that preserves the unmanifested environment

lam indicates immense playful communication

Dhoom is the obscure description of the distinct large shining face of the fierce form

Rum is the multilated string of immense guide of red-colored light keeping back darkness

nam is the unadorned form of the continuous thought of prana that preserves the unmanifested environment.

vam is the motion of breath producing movement causing creation crossing later fading away

kham is the measure of disturbance in the three worlds resting in shining fierce form

Cham is the agitated tremulous motion of the circle of matter

Mam is the illusionary form of that continuous thought of prana that preserves the unmanifested environment

Sham is the measure of uncertainity in the white beam of light freeing the entire entropy

Mam is the dense collection of unopened accumulation, a design constantly moving

Yam is the noise of the past tied together in bristles destroying

Am is the intermediate region of that continuous thought of prana that preserves the unmanifested environment

kham is the disturbance separating the changing and the unchanging illusion of the immense time

sham is the agile speed of destroying the heated kindled idea

Houm is the roaring noise of the dense manifested roaring matter in motion

Vam is the beauty of those bristles of the thought of prana that preserves the unmanifested environment

Sam is the harnessing of knowledge of the dense quality of the entire pure energy and energies

Pam is the centre of the concentric circles of illusion establishing and destroying equilibrium with bright light and heat energy guide

Aim is the omniscience continuous noise dispelling perturbations before energy (is formed?)
roum is the fierce form of the thought of prana that preserves the unmanifested environment

Ham is the instability of the universal soul transcending the indistinct sound free harnessing of buoyant vibrancy

Dham is the form of guidance crown of head entangled attachment inflexible binding hand

Tam is the humming noise of tri-motion to give rise to disturbance obtaining self-interest desire

Bhrum is the past guide of the thought of prana that preserves the unmanifested environment

Yam Yam Yam Yaksha Roopam Dasha Dishi Viditam Bhoomi Kampaayamaanam
yaksha = spirit roopam = form dashadishi = 10 directions 
viditam = known as bhoomi = matter 
kam+pAya + mAnam =comfort + sucking continuously + notion/idea

Sam Sam Samhaara Murtim Shira Mukuta Jataa Shekharam Chandra Bimbam
samhAra = collection mUrtim = form 
shira + mukuTa = crown of the head 
jaTa =  entangled kshetaram = environment 
chandra bimbam = bright + illumintaion

Dam Dam Dam Deergha Kaayam Vikruta Nakha Mukham Hyurdhva romam Karaalam
dIrgha = deep kAyam = group vikruta = changing 
nakha = fierce mukam = face hyurdhva = mental activity 
romam = void karAla = immense

Pam Pam Pam Paap Naasham Pranmata Satatam BHAIRAVAM KSHETRA PAALAM !!1!!
pApa = imperfection Nasham = destroyed 
Prana + mata = thought of prana satatam = perpetual 
bhairavam kshetra pAlam = unmanifested environment preserve

Ram Ram Ram Raktavarnam, Kata katitam Teekshna DaMshTraa Karaalam
rakta + varnam = description of attachment or adhesion 
kaTakaTita = noise made when rubbing two substances together 
tIkShNa = hot daMshTrA = sharp edges karAlam = immense

Gham Gham Gham Ghosha Ghosham Gha Gha Gha Gha Ghatitam Ghargharam Ghora naadam
ghoSha = noise Ghosham = of noise ghA = indeed / surely 
GhaTitam = made of ghargharam = gurgling noise 
ghora = violent nAdam = sound / noise

Kam Kam Kam Kaala Paasham Dhruka Dhruka Dhrukitam Jwaalitam Kaamadaaham
kAla = time pAsham = trap dhruka = holding 
dhrukitam = of supporting jvalitam = radiant 
kAma + daham = desire + heat

Tam Tam Tam divya Deham, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!2!!
divya =  sublime deham = body 
Prana + mata = thought of prana satatam = perpetual 
bhairavam kshetra pAlam = unmanifested environment preserve

Lam Lam Lam Lam Vadantam la la la la Lalitam Dheergha Jivhaa Karaalam
Dhoom Dhoom Dhoom Dhoomra Varnam Sphuta vikata mukham Bhaskaram Bheemaroopam
Rum Rum Rum Roondamalam, ravi tama niyatam taamra netram karaalam
Nam Nam Nam Nagnaroopam, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!3!!

vadantam = to indicate lalitam = playful 
dheergha + jihva = long + tongue karAlam = immense
Dhoomra = obscure Varnam = description sphuTa = distinct 
vikaTa = large mukham = face bhaskaram = shining 
bhIma + roopam = fierce + form
ruNDa + malam = mutilated + string ravi = light tama = darkness 
niyatam = kept back tAmra = red-color netram = guide 
karAlam = immense
nagna = the unadorned

Vam Vam Vam vaayuvegam natajana dayinam Brahma paaram param tam
Kham Kham Kham khadga hastam tribhuvana nilayam bhaskaram bheema roopam
Cham Cham Cham Cham chalitvaa chala chala chalita chchaalitam bhoomi chakram
Mam Mam Mam maayi roopam Pranmata Satatam BHAIRAVAM KSHETRA PAALAM !!4!!

vAyu + vegam = breath + motion naTa + jana = to move + producing 
dayinam = causing bramha = creation pAram = crossing 
param = later tam = fading away
khadga = disturbance hastam = a cubit measured by the hand? 
tribhuvana = three worlds nilayam = resting bhaskaram = shining 
bhIma = fierce rUpam = form
chalitva = motion chala = agitation chalita = shaking 
bhoomi = matter chakram = cicle
mAyi + rUpam = illusionary + form

Sham Sham Sham Shankha Hastam, Sashi kara dhavalam, Moksha Sampoorna Tejam
Mam Mam Mam Mam Mahaantam, Kula makula kulam Mantra Guptam Sunityam
Yam Yam Yam Bhootanadham, Kili Kili Kilitam Vaalakeli Pradhanam
Am Am Am Aantariksham, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!5!!

Shankha = uncertainity hastam = measure shashikara = beam of light 
dhavalam = white moksha = free sampUrNa = entire tejam = entropy
Mahantam = dense kula = collection makula = unopened 
kulam = accumulated mantra = a design guptam = secret 
su + nityam = to move + constantly
bhUta + nAdam = past + noise kilitam = tied 
VAlakeli = bristle pradhAnam = destroy
Antariksham = the intermediate region 


Kham Kham Kham Khadga Bhedam, Visha Mamruta Mayam Kaala Kaalam Karalam
Ksham Ksham Ksham Kshipra Vegam, Daha Daha Dahanam, Tapta Sandeepya Maanam
Houm Houm HoumKaara Nadam, Prakatita Gahanam Garjitairbhoomi Kampam
Vam Vam Vam Vaala Leelam, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!6!!

khadga = disturbance bhedam = separating 
viSham + amruta = changing + unchanging mAyam = illusion 
kAla = time kAlam = and time karalam = immense
kshipra = agile vegam = speed dahanam = destroying 
tapta = heated sandIpya = kindle mAnam = idea
houmkAra = roaring nadam = noise prakatita = manifested 
gahanam = dense garjitair + bhoomi = roaring + matter 
kampam = motion
Vala = bristles lIlam = beauty

Sam Sam Sam Siddhi Yogam, Sakala guNa Ghanam, Deva Devam Prasannam
Pam Pam Pam Padmanabham, HariHara Mayanam,Chandra SuryaAgni Netram
Aim Aim Aim Aishwarya Naadham, Satata Bhayaharam, PoorvaDeva Swaroopam
Roum Roum Roum Roudra Roopam, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!7!!

siddi = knowledge yogam = harnessing sakala = entire guNa = quality 
ghanam = dense deva = energy devam = energies prasannam = pure
padma + nAbham = centre of the concentric circles 
hari + hara = establishing of equilibrium + destroyer(of equilibrium)  
mAyam = illusion chandra = bright 
surya + agni = light + heat energy netram = guide
aishwarya = omniscience nAdam = noise satata = continuous 
bhayaharam = perturbation pUrva+deva = before energy
roudra = fierce rUpam = form 

Ham Ham Ham Hamsa Haasam, HasitakalaHakam, MuktaYogaattahaasam
Dham Dham Dham Netra roopam, Siramakuta Jataabandha Bandhaagra Hastam
Tam Tam Tankaara nadham, Trida salata la tam, Kaama Garvaapa Haram
Bhrum Bhrum Bhrum Bhootanadham, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!8!!

hamsa = universal soul hAsam = instability 
hasita + kala + hakam = transcend + indistinct + sound 
mukta + yoga + atta + hAsam = free + harnessing + buoyant + vibrancy
netra = guidance rUpam = form sira + makuta = crown of head 
jatA + bandha = entangled + attachment 
badha+ugra = inflexible binding hastam = hand 
TamkAra = humming nAdham = noise trida = three 
salata = motion la = to give tam = disturbance 
kAma = desire garvApa = ego / self-interest haram = obtaining
bhUta + nAtham = past (that which has become) + guide 

Translation from original website based on Sanskrit meaning of the words:::

—————————————————————————————————————————————-

  Posted on August 26, 2018 By philosophy @ https://ancientinsight.online/2018/08/26/maha-kalabhairava-stotram-verses-1-2/

I really do not know why this stotram is attributed to time unmanifested. It is also described as the “Teekshna Damstra KAralam stotram” sometimes and even this, to me, makes no sense. The translation of the verses seems to indicate that this is some sort of trace of the various paths to the “thought that preserves the unmanifested”.

I will translate this also in a series of blogs, since there are 8 verses and it is too much for a single blog. The starting of these lines of verses such as “Yam”, “Sam”, “Dam” etc., most of the time is translated as “bija mantras” or “seed mantras”. I wonder what that means. My take is that the correct repeated chanting of these mantras should evoke the subsequent meaning that is described in that line. Have we lost the correct chanting and hence lost the meaning? I wonder if we have retained only a ghost of the original meaning! But, here goes what I think this means.

Yam Yam Yam Yaksha Roopam Dasha Dishi Viditam Bhoomi Kampaayamaanam
yaksha = spirit roopam = form dashadishi = 10 directions 
viditam = known as bhoomi = matter 
kam+pAya + mAnam =comfort + sucking continuously + notion/idea

Sam Sam Samhaara Murtim Shira Mukuta Jataa Shekharam Chandra Bimbam
samhAra = collection mUrtim = form 
shira + mukuTa = crown of the head 
jaTa =  entangled kshetaram = environment 
chandra bimbam = bright + illumintaion

Dam Dam Dam Deergha Kaayam Vikruta Nakha Mukham Hyurdhva romam Karaalam
dIrgha = deep kAyam = group vikruta = changing 
nakha = fierce mukam = face hyurdhva = mental activity 
romam = void karAla = immense

Pam Pam Pam Paap Naasham Pranmata Satatam BHAIRAVAM KSHETRA PAALAM !!1!!
pApa = imperfection Nasham = destroyed 
Prana + mata = thought of prana satatam = perpetual 
bhairavam kshetra pAlam = unmanifested environment preserve

Note, again, I have changed the Shekaram to kshetaram, environment instead of peak point. When the context of Shira MukuTa jaTa is translated as “twisted hair at the peak of the head”, then Shekaram makes sense, where as when we start translating the jATa with Chandra Bhimbam which is bright illumination or light, it is becomes kshetharam or the “entangled environment of bright light”.

Bhoomi as matter instead of earth. nakha, translated as claw when related to the living, translates as fierce without a reference. hryudhva is translated as “heart”, but here I have translated it as “mental activity” or in short they are “thoughts”.

So, we are looking at the translation of this verse as:

Yam is spirit form known in 10 directions as matter enjoying comfortable ideas
Sam is the form of the collection of the entangled environment of bright light at the crown of the head
Dam is intense collection of the changing face of fierce thoughts of this immense void
Pam is the destruction of imperfection of that perpetual thought of prana, that preserves the unmanifested environment

This is definitely thought provoking isn’t it? If we look at the path traversed here, it starts with a outer spirit enjoying matter, going to the inner electric signals that travel to the head to create this spirit, goes to the deeper thoughts that has triggered this signals and stops at that specific thought that is preserving the unmanifested environment so that the cycle of manifestation can be maintained.

Going on to the next verse:

Ram Ram Ram Raktavarnam, Kata katitam Teekshna DaMshTraa Karaalam
rakta + varnam = description of attachment or adhesion 
kaTakaTita = noise made when rubbing two substances together 
tIkShNa = hot daMshTrA = sharp edges karAlam = immense

Gham Gham Gham Ghosha Ghosham Gha Gha Gha Gha Ghatitam Ghargharam Ghora naadam
ghoSha = noise Ghosham = of noise ghA = indeed / surely 
GhaTitam = made of ghargharam = gurgling noise 
ghora = violent nAdam = sound / noise

Kam Kam Kam Kaala Paasham Dhruka Dhruka Dhrukitam Jwaalitam Kaamadaaham
kAla = time pAsham = trap dhruka = holding 
dhrukitam = of supporting jvalitam = radiant 
kAma + daham = desire + heat

Tam Tam Tam divya Deham, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!2!!
divya =  sublime deham = body 
Prana + mata = thought of prana satatam = perpetual 
bhairavam kshetra pAlam = unmanifested environment preserve

Here, “tIkShNa daMshTrA karAlam” is usually translated as “sharp fangs open wide”. Like I have said over and over again, that translation works if we want to apply the description to a human form. The minute we remove the human form from the translation, we have to look for meanings that are agnostic to sentience. In this case, “tIkShna daMshTra KarAlam” then becomes “immense hot sharp edges”

So, this translates to:

Ram is the adhesive noise when two immense hot sharp edges are rubbed together
gham is noise, noise indeed made of gurgling noise, violent noise
kam is the trap of time bearing the radiant heat of desire 
tam is the sublime body of that perpetual thought of prana that preserves the unmanifested environment

Going with the trend of the first verse, this should also be a path from outside to the thought of prana. Is this the path of noise I wonder? Noise made by sharp edges, to the gurgling noise to the noise of heat from that sublime body which is associated with the thought of prana?

This translation is strange!

Maha Kalabhairava stotram – Verses 3, 4, 5 & 6 Posted on September 9, 2018 By philosophy @ https://ancientinsight.online/2018/09/09/maha-kalabhairava-stotram-verses-3-4-5-6/

Continuing from the previous blog of Maha Kalabhairava stotram, here I have translated the next few verses. I wonder very much what this stotram is really explaining. As I have said in “Language is the barrier“, “How can I as a person transfer the vibrations that occur within in my brain in the exact form to the next human being?” I am really starting to wonder if each of these “bija mantras”, are vibrations, if intoned correctly will make the brain vibrate in the frequency that is the next step in the series of steps that give the first bija mantra i.e., “yaksha roopam” which is “the spirit form that enjoys material comfort”! Are the knowledge of these vibrations really lost?? Very sad, if it is true!!

Translating the next set of verses. Below, verse 3, 4, 5 and 6:

Lam Lam Lam Lam Vadantam la la la la Lalitam Dheergha Jivhaa Karaalam
Dhoom Dhoom Dhoom Dhoomra Varnam Sphuta vikata mukham Bhaskaram Bheemaroopam
Rum Rum Rum Roondamalam, ravi tama niyatam taamra netram karaalam
Nam Nam Nam Nagnaroopam, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!3!!

vadantam = to indicate lalitam = playful 
dheergha + jihva = long + tongue karAlam = immense
Dhoomra = obscure Varnam = description sphuTa = distinct 
vikaTa = large mukham = face bhaskaram = shining 
bhIma + roopam = fierce + form
ruNDa + malam = mutilated + string ravi = light tama = darkness 
niyatam = kept back tAmra = red-color netram = guide 
karAlam = immense
nagna = the unadorned

Vam Vam Vam vaayuvegam natajana dayinam Brahma paaram param tam
Kham Kham Kham khadga hastam tribhuvana nilayam bhaskaram bheema roopam
Cham Cham Cham Cham chalitvaa chala chala chalita chchaalitam bhoomi chakram
Mam Mam Mam maayi roopam Pranmata Satatam BHAIRAVAM KSHETRA PAALAM !!4!!

vAyu + vegam = breath + motion naTa + jana = to move + producing 
dayinam = causing bramha = creation pAram = crossing 
param = later tam = fading away
khadga = disturbance hastam = a cubit measured by the hand? 
tribhuvana = three worlds nilayam = resting bhaskaram = shining 
bhIma = fierce rUpam = form
chalitva = motion chala = agitation chalita = shaking 
bhoomi = matter chakram = cicle
mAyi + rUpam = illusionary + form

Sham Sham Sham Shankha Hastam, Sashi kara dhavalam, Moksha Sampoorna Tejam
Mam Mam Mam Mam Mahaantam, Kula makula kulam Mantra Guptam Sunityam
Yam Yam Yam Bhootanadham, Kili Kili Kilitam Vaalakeli Pradhanam
Am Am Am Aantariksham, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!5!!

Shankha = uncertainity hastam = measure shashikara = beam of light 
dhavalam = white moksha = free sampUrNa = entire tejam = entropy
Mahantam = dense kula = collection makula = unopened 
kulam = accumulated mantra = a design guptam = secret 
su + nityam = to move + constantly
bhUta + nAdam = past + noise kilitam = tied 
VAlakeli = bristle pradhAnam = destroy
Antariksham = the intermediate region 


Kham Kham Kham Khadga Bhedam, Visha Mamruta Mayam Kaala Kaalam Karalam
Ksham Ksham Ksham Kshipra Vegam, Daha Daha Dahanam, Tapta Sandeepya Maanam
Houm Houm HoumKaara Nadam, Prakatita Gahanam Garjitairbhoomi Kampam
Vam Vam Vam Vaala Leelam, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!6!!

khadga = disturbance bhedam = separating 
viSham + amruta = changing + unchanging mAyam = illusion 
kAla = time kAlam = and time karalam = immense
kshipra = agile vegam = speed dahanam = destroying 
tapta = heated sandIpya = kindle mAnam = idea
houmkAra = roaring nadam = noise prakatita = manifested 
gahanam = dense garjitair + bhoomi = roaring + matter 
kampam = motion
Vala = bristles lIlam = beauty

Here, a few things, dheergha jihva, long tongued or talkative or communicative. Vayu vegam, speed of wind or actually breath if air is what is considered. So, the translation comes to:

lam indicates immense playful communication
Dhoom is the obscure description of the distinct large shining face of the fierce form
Rum is the multilated string of immense guide of red-colored light keeping back darkness
nam is the unadorned form of the continuous thought of prana that preserves the unmanifested environment.

vam is the motion of breath producing movement causing creation crossing later fading away
kham is the measure of disturbance in the three worlds resting in shining fierce form
Cham is the agitated tremulous motion of the circle of matter
Mam is the illusionary form of that continuous thought of prana that preserves the unmanifested environment

Sham is the measure of uncertainity in the white beam of light freeing the entire entropy
Mam is the dense collection of unopened accumulation, a design constantly moving
Yam is the noise of the past tied together in bristles destroying
Am is the intermediate region of that continuous thought of prana that preserves the unmanifested environment

kham is the disturbance separating the changing and the unchanging illusion of the immense time
sham is the agile speed of destroying the heated kindled idea
Houm is the roaring noise of the dense manifested roaring matter in motion
Vam is the beauty of those bristles of the thought of prana that preserves the unmanifested environment

I am not sure there can be any explanation of these verses at all!!! But, if we followed this translation back up from the bottom up, we are looking at this:

A set of bristles moving in dense matter that is causing the heat that is forming ideas and getting destroyed causing a disturbance and gives us two states changing and unchanging. This creates an intermediate region with the destroyed bristles creating the noise of the past, a constantly moving accumulation, unopened. When this reaches a certain measure of uncertainty, frees the entire entropy. This illusionary form in the agitated tremulous motion forms the circle of matter and when a certain measure of disturbance is reached in that resting form, it causes a cross over and a creation, producing breath that keeps fading away (since this is a circle and forms again). This unadorned form is the mutilated string of immense red-colored (my take is a specific frequency perceived in a certain color?) light that is keeping back darkness, generating an obscure description for a distinct, fierce form with immense playful communication.

Following this into the previous two verses from the previous verses:

This distinct, fierce, immense communicative form is the sublime body which is a trap for the time bearing the radiant heat of desire, generating a gurgling noise, an adhesive noise when two immense hot sharp edges are rubbed together, giving rise to the imperfection and a collection of mental activity of this immense void, collecting this entangled mass of bright light at the crown of the head, giving rise to the spirit that knows the 10 directions and enjoys comfortable ideas!!

It holds together? Right? I wonder! But a rare beauty, if it is really what this means, I am stunned!!!

Maha Kalabhairava stotram verses 7 & 8   Posted on October 13, 2018 By philosophy @ https://ancientinsight.online/2018/10/13/maha-kalabhairava-stotram-verses-7-8/

I have translated the previous verses of the Maha Kalabhairava stotram in the previous 2 blogs here and here. The more I read these verses, the more I am amazed by the continuity and the depth of meaning in these verses and wonder “have I really understood what is said here”!! I must admit though, it is not just this stotram. The more I translate some of the commonly known stotrams, the more I am convinced that we are just fools. We seem to have just repeated these stotrams word to word without once questioning the underlying meaning. We are only too willing to accept the vague translations modified into non-sensical set of words as the meaning of these stotrams or dismiss them as superstition based on what the orientation of our mind is. We are willing to just attribute these to some vaguely defined gods and start worshipping this vagueness, impressing our fears or wants on these and being totally delusional and devotional.

But, the depth of meaning and what is described in these stotrams are so enormous that understanding them and accepting them takes a lifetime at the minimum and sometimes I wonder if even a lifetime is sufficient. These are stotrams that need to be lived, to be experienced, to be allowed to sink in and allow the vibrations that make us be modified to exist as what is described here to really know them!! For eg., the second verse of this stotram talks about the “tIkShNa daMshTrA karAlam”, while I have translated the words, and it translates to “immense hot sharp edges rubbed together”, I sometimes wonder would this just not be the “heat distribution map”. But, how many of us can feel the heat distribution in ourselves that has in turn formed the mental map, the emotional map and hence the spirit of us? When we have not even been able to see beyond the mind, I wonder how someone was able to go all the way down to the buoyant vibrancy that has led to all this and how someone was able to distinguish that persistence has led to the vibrancy and so on!!

But, going forward the translation of the last two verses of this stotram is as below:

Sam Sam Sam Siddhi Yogam, Sakala guNa Ghanam, Deva Devam Prasannam
Pam Pam Pam Padmanabham, HariHara Mayanam,Chandra SuryaAgni Netram
Aim Aim Aim Aishwarya Naadham, Satata Bhayaharam, PoorvaDeva Swaroopam
Roum Roum Roum Roudra Roopam, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!7!!

siddi = knowledge yogam = harnessing sakala = entire guNa = quality 
ghanam = dense deva = energy devam = energies prasannam = pure
padma + nAbham = centre of the concentric circles 
hari + hara = establishing of equilibrium + destroyer(of equilibrium)  
mAyam = illusion chandra = bright 
surya + agni = light + heat energy netram = guide
aishwarya = omniscience nAdam = noise satata = continuous 
bhayaharam = perturbation pUrva+deva = before energy
roudra = fierce rUpam = form 

Ham Ham Ham Hamsa Haasam, HasitakalaHakam, MuktaYogaattahaasam
Dham Dham Dham Netra roopam, Siramakuta Jataabandha Bandhaagra Hastam
Tam Tam Tankaara nadham, Trida salata la tam, Kaama Garvaapa Haram
Bhrum Bhrum Bhrum Bhootanadham, Pranmata Satatam, BHAIRAVAM KSHETRA PAALAM !!8!!

hamsa = universal soul hAsam = instability 
hasita + kala + hakam = transcend + indistinct + sound 
mukta + yoga + atta + hAsam = free + harnessing + buoyant + vibrancy
netra = guidance rUpam = form sira + makuta = crown of head 
jatA + bandha = entangled + attachment 
badha+ugra = inflexible binding hastam = hand 
TamkAra = humming nAdham = noise trida = three 
salata = motion la = to give tam = disturbance 
kAma = desire garvApa = ego / self-interest haram = obtaining
bhUta + nAtham = past (that which has become) + guide 

So, these verses translate to:

Sam is the harnessing of knowledge of the dense quality of the entire pure energy and energies
Pam is the centre of the concentric circles of illusion establishing and destroying equilibrium with bright light and heat energy guide
Aim is the omniscience continuous noise dispelling perturbations before energy (is formed?)
roum is the fierce form of the thought of prana that preserves the unmanifested environment

Ham is the instability of the universal soul transcending the indistinct sound free harnessing of buoyant vibrancy
Dham is the form of guidance crown of head entangled attachment inflexible binding hand
Tam is the humming noise of tri-motion to give rise to disturbance obtaining self-interest desire
Bhrum is the past guide of the thought of prana that preserves the unmanifested environment

Now, if we add this to the previous set of verses and read it bottom up, we start with saying that the “guide of the past” starts everything and this is exactly what is said in the Kalabhairava ashtakam also in the last verse. “Splitting the continuity by buoyant vibrancy we lose the ability to see and we fit it into an inflexible order and then string them together into a thread and call it intelligence. In this case the past and a vast recollection becomes a necessity”. Here again something similar is said.

“The persistence of the past has given rise to the humming noise and hence three motions (I wonder what these three motions are?) giving rise to a disturbance and hence self interest and desire (similar to the nIlakant of Kalabhairava stotram) which has caused an inflexible binding and attachment causing an instability causing buoyant vibrancy. This fierce form is omniscience continuous noise forming perturbations, this becomes the centre of the concentric circle of illusion that is establishing and destroying equilibrium of light and heat energy and hence the dense quality is established in the pure energy that become knowledge (which according to Aitreya Upanishad can be sensed?).”

Continuing into the other verses from here:

A set of bristles moving in the above dense matter that is causing the heat that is forming ideas and getting destroyed causing a disturbance and gives us two states changing and unchanging. This creates an intermediate region with the destroyed bristles creating the noise of the past, a constantly moving accumulation, unopened. When this reaches a certain measure of uncertainty, frees the entire entropy. This illusionary form in the agitated tremulous motion forms the circle of matter and when a certain measure of disturbance is reached in that resting form, it causes a cross over and a creation, producing breath that keeps fading away (since this is a circle and forms again). This unadorned form is the mutilated string of immense red-colored (my take is a specific frequency perceived in a certain color?) light that is keeping back darkness, generating an obscure description for a distinct, fierce form with immense playful communication.

This distinct, fierce, immense communicative form is the sublime body which is a trap for the time bearing the radiant heat of desire, generating a gurgling noise, an adhesive noise when two immense hot sharp edges are rubbed together, giving rise to the imperfection and a collection of mental activity of this immense void, collecting this entangled mass of bright light at the crown of the head, giving rise to the spirit that knows the 10 directions and enjoys comfortable ideas!!

So, persistence has caused a whole universe?! What is time is not anymore as simple as the movement of a clock hand!

Read an interpretation in my Book
A Research of Shiva: The Enigma

———————————————————–

above is a clone of the original site, copied from web.archive.org

Posted on Leave a comment

engineering the presence of gods: secret temple tech + unlabeled tech-artefacts at cairo museum + HatHor temple key mural variation — it DOES NOT EXIST IN Auguste Mariette’s 1870s drawings

related: South Crypt mural, the so-called “dendera light” (A.Mariette: “Crypte 4”)
in the same crypt as the only other depiction of the so-called “Menat Necklace”
Wolfgang Waitkus: “Die Texte in den Unteren Krypten des Hathortempels von Dendera” (Crypt East 1 A East Wall)

dendera HatHor crypt text: (“[Come] in peace, In-Secret-Initiate of holy places, young man [……rest destroyed]”)

Contents:
1) Undocumented rarely-seen mural variation
2) Unlabeled rarely-seen technological museum artefacts match the mural
3) Engineering the Presence of Gods: Esoteric Compartmentalised “temple technology”, secret inventions exploited in Ancient temples, kept secret from commoners
4) Ceremonial Function: the Encrypted Ritual Objects of the HatHor temple Dendera were “Given Life” on Holy Days and Brought Up

Undocumented rarely-seen mural variation

in the chambers above the crypts of the temple of HatHor in dendera, there exists the only other mural of the so-called “menat necklace” device, also depicted in one Crypt (A.Mariette: “Crypte 4”). i was lucky to get photos of this, and i cannot find any other photos of it online.

THIS IS THE ONLY OTHER INSTANCE WHERE THIS OBJECT appears in the complex, and it DOES NOT EXIST in Auguste Mariette’s 1870s drawings which are the go-to source for most egyptologists (see: https://digitalcollections.nypl.org/items/510d47e2-9643-a3d9-e040-e00a18064a99 … more missing too)

compared to the one in the crypt, if we look closely, it has slight variations on the details. of particular interest it seems to show equidistantly-spaced cylinders around the cables, as opposed to a series of circles.

this arrangement matches the unlabeled artefacts i found in the Cairo museum: copper & iron rods with equidistantly-spaced cylinders around the rods, grouped with heads of HatHor “terminals(see below — i am also awaiting a reply from the ministry of tourism & antiquities regarding any information on them)

the undocumented, rarely-seen section:

equidistantly-spaced cylinders around the cables (in contrast to a series of circles) the “terminals” are styled as heads of HatHor as usual, but the cables seem to terminate differently this variation too, a “flower” appears on the left bottom piece:

Unlabeled, rarely-seen museum artefacts match the device

LOOK AT THIS AMAZING NECKLACE!!! <3 (the unlabeled cabinet i discovered in the Cairo museum — cannot find a photo of this anywhere else or any information on it)

iron rod, copper rod, equidistantly-spaced cylinders around the copper rod, and terminal-like parts styled as the heads of HatHor

the different variety of the cylinders and heads may indicate different usage and functions. some have square holes, some have round holes, some are different materials/colours, some have bulges, etc., and we see one type of cylinder used repeatedly along the copper rod. they also may have been experimenting to find optimal materials.

the copper and iron rods exhibit high levels of rust/oxidation — the iron rod in particular — possibly from immersion or exposure to fluids, for example using an iron rod surrounded by copper, in a jar filled with electrolytic fluid (grape juice, etc) similar to the “baghdad(/parthian) batteries”.

there most likely are many more related artefacts in their collection

below is the mural variation from the crypt, the only other place it is depicted in the entire dendera complex, note here we do not see the equidistantly-spaced cylinders, nor the “flower” at the base of the left piece … possibly simplified elements … (the zig zag inside the circle is missing from A.Mariette’s 1870s drawing):

South Crypt mural, the so-called “menat necklace” (A.Mariette: “Crypte 4”)

Cases of Compartmentalised technology, secret inventions in Ancient temples such as in Alexandria, kept secret from lay worshippers, engineering the presence of gods

Statues in temples that would “cry blood”, there were thunder machines in temple roofs that would emulate the sound of thunder as a sign from the gods, altars for fire sacrifice that would cause a door to open when the fire was made — statues that animate — and even lesser known would be ritual objects and electrified statues that would either shock the common worshipper or cause a tingling sensation — and ones possibly with electrically-illuminated elements.

it is known that in various ancient temples including in Alexandria the initiates/elite priests of those temples sometimes exploited secret inventions & “magical” technology to create impressions on the lay people who came to worship, effectively engineering a sense that “the gods” were present, or that a prayer or sacrifice was answered, etc.

Much of this “temple technology” was kept compartmentalised & secret, it was for the initiates (maybe prescribing punishment of death for revealing secrets), and the common people were not taught these early “magical” technologies. The secrecy of the early esoteric temple technology was absolutely essential for the desired effect.

Consequences of this is that the technology is easily lost to the sands of time, after wars. in cases where we do find references, key pieces may be in a symbolic form which was only easily-understood by the initiates (i.e: Agastya Samhita listing “the neck of a peacock” ingredient, which was a symbolic reference to copper sulfate to make electrochemical jars, copper sulfate being the same colour as the neck of a peacock)

We have a few documented examples of related technology such as from Hero of Alexandria though there must have been much more, not least the public inventions lost to the destruction of the library of Alexandria, but also the secret temple technology which required strict secrecy of the inventions for them to be effective in maintaining the “presence of the gods” effect. It simply would not have the desired effect if people could see “the wizard pulling levers behind the curtain”

the Encrypted Ritual Objects of the HatHor temple Dendera were “Given Life” on Holy Days and Brought Up

In the case of the temple of HatHor at dendera, we know the crypts were for the initiates of the secrets, and the special “ritual objects” were kept down there, together with symbolic esoteric murals for the initiates:

Wolfgang Waitkus: “Die Texte in den Unteren Krypten des Hathortempels von Dendera” (Crypt East 1 A East Wall)

(“[Come] in peace, In-Secret-Initiate of holy places, young man [……rest destroyed]”)

Those “ritual objects” were brought up from the crypts only on specific festivals and holy days, and on those days it says they were “given life” in the crypt and brought up — the Ba/Ka (energies of life) were manifested in the idols on those special days, and the people rejoiced in reverence

Wolfgang Waitkus: “Die Texte in den Unteren Krypten des Hathortempels von Dendera” (with a dodgy google translate)

Given that we know Alexandria and other locations had “temple technology” to amaze the oblivious lay-people, it would make sense that the “Ritual Objects” that are “Given Life” from the crypts of the temple of HatHor most likely exhibited “magical” properties to engineer the sensation in the lay people that the gods were truly present on those special holy days, when they took the ritual objects to the roof and other places for a spectacle, a microcosmic ceremony where the images of the gods were “given life”, made themselves apparent, much more than just simply bringing up lifeless statues.

Huge key sections of the crypts have been hacked off, but even with what they left us we can see what appear to be symbolic references to technological devices, and possible archaeological evidence of electrical components for some of those devices in an unlabeled cabinet in the cairo museum (iron rod, copper rod, cylinders, HatHor head terminals).

The Agastya Samhita told us to use “the neck of a peacock” to make electricity, we now know it meant copper sulfate.

So what of harsomtus the serpent coming alive and being contained in the hn-container, supported by the anthropomorphised djed pillar, the “ba” and “ka” energy manifesting, etc.

One must strive to see these crypts through the eyes of the initiates of the secrets, not as a lay-person.

more to come, and will be updated with more sources, references, and connections…

a small selection of many photos i took of mostly South Crypt (A.Mariette: “Crypte 4”), where the so-called “dendera light” mural is located, the same Crypt with the so-called “menat necklace” with cables coming out of the head terminals. All the main murals of West Crypt (“Crypte 7”) have been mostly hacked off

ALL RIGHTS RESERVED

Posted on Leave a comment

i hypothesise that brain parasites/worms influence flesh-eater’s behaviour

i hypothesise that worms influence flesh-eater’s brain & behaviour.
it is not uncommon that the worms & eggs from flesh enter the brain and chest of flesh-eaters.
it is a so-called “hidden pandemic”, with many cases in China & USA which are misdiagnosed as brain cancer, lung cancer, flu, coronavirus, mere “headaches”, and more.

just like toxoplasmosis affects cats, i think their brain parasites affect the behaviour of the host to get angry at non-flesh eaters (“vegans”) more, like they drool at the mouth shouting “wHERe dO yOU GeT ProTEiN fROm?!? EaT SoME baCoN mMM BaCoN …” as if i never used to eat steak almost every day?

i think those parasites are influencing them to encourage more people to become hosts of the parasites.
y’all have brain parasites like the RAAJA from “Earth Maiden Arjuna” Anime series.

https://edition.cnn.com/2020/01/30/health/tapeworm-in-mans-brain-scn-trnd/index.html

Posted on Leave a comment

Mesopotamian UTU / SHAMASH seems the same as “hindu” SHIVA as NATARAJ: my observations

UTU / SHAMASH “cutting mountains in Sippar” (see mesopotamiangods.com for more)

My Observations & Links

SHIVA as NATARAJ (COSMIC DANCE “TANDAVA”), crushing “Apasmara”
(“fierce”/”fiery” form)

It seems to me that SHIVA as NATARAJ(A) is the same form as Mesopotamian UTU/SHAMASH

They both appear to be hitting the ground with a “fiery landing” from above (hence the fire/smoke trails)

UTU/SHAMASH “cuts the mountain”, and SHIVA as NATARAJ (performing the COSMIC DANCE TANDAVA) “crushes Apasmara”

SHIVA’s Trishul (Trident) seems to be related to the symbol to the side of UTU/SHAMASH which seems to be formed from AN (dingir) at the top, with one point extending down to the earth (KI?) … AN = Heaven/Sky/God … KI =Earth … the symbol opposite seems related to SHIVA’s drum (Damaru)

They also both wear elaborate helmets in their depictions

Other symbols also correlate and seem related, in their hands.

I think the fact Shiva has many arms holding different items is so the people could depict the deity in one image (he had this, that, another thing, power of this, that, etc.), hence, many arms are shown in Hindu deities, as they hold various weapons, tools, and other items that may be symbolic of certain powers or attributes, though … they may have had many physical arms i think it is to show everything in one form …

below is an old video from December 2019 where i initially rambled about my observations … this video was unscripted and rushed, i made a couple of mistakes (corrected in comments), as i felt a slight “eurika” moment as the symbolism correlation clicked, i wanted to share it, and i don’t know anyone else who has noticed these SHIVA + UTU/SHAMASH connections … the 2nd half has clips from a video regarding SHIVA as NATARAJ in particular and the “COSMIC DANCE”:

my video from December 2019, hasted, no script, few mistakes which i correct in comments …

if anyone sees this and has any input, any more observations and links, please let me know via commenting on this post or email, cheers.

Posted on 1 Comment

My Precognition & Synchronicities regarding 「COVIDー19」, working with Egyptian mummies ☣️

i will try to give a timeline of the most serious of my precognitions & synchronicities, which i posted to my twitter from 2019.

Please note: the Necromancy with Egyptian mummies at the Museum goes as far back as 2012, and I have a horus-falcon apparition in a Glass from previous rituals … i will post about that soon after this post.

almost all of the pieces were posted to my twitter @ashtarventura / @_Ashtar_Ventura which was recently suspended for using the most ancient Swastika symbol (some people have Swastika-phobia???)

i will still include the direct permalinks to each timeline post, the links work but say the account is “suspended” — they should work fully as normal if/when the account is unsuspended, so i will include all the permalinks here. the screenshots i am still able to get from the data archive provided by twitter.

COVID-19:
“CORONA VIRUS, wear your MASK, GLOVES, GOGGLES … DO NOT SHAKE HANDS, GREET WITH THE FEET”


1. i had a strange dream on 11th November 2019:, precognitive of a CORONA event:

https://twitter.com/_Ashtar_Ventura/status/1193947024397393926
https://t.co/ETPwSZGDZN

i dreamt there was a fiery manifestation on the horizon in the daytime
it was not “filled”, but a fiery ring on the Horizon (a fiery Corona)

in the dream there was an old man in the field who was calm and signalled to me not to worry, like it was a cyclical thing, i would not be harmed walking through it

the fact it was on the horizon symbolised something coming in the near-future


(i have tweets explaining the extra details but cannot find them in the data archive twitter has given to me right now, will update with those links if i find them …)

2. 17th November 2019, i make a rhyme “Greet with the Feet, not the Hand that touch the Meat!”

https://twitter.com/_Ashtar_Ventura/status/1195876218937196549

This rhyme i made after seeing this medieval illuminated manuscript image of people touching the feet (on an Arany Zoltan youtube clip), together with posting at the time about masonic handshakes and saying to greet with the feet not the hand that touched the meat, as a joke (i am vegan.)

Synchronicity/Precognition: During the COVID-19 scenario, people were encouraged to avoid handshakes, and in some places like in China there were videos of people greeting with the feet, just like i Rhymed.

(another post i cannot find in my twitter data is the masonic handshake imagery i shared close to this… but i can find this one below:) https://twitter.com/_Ashtar_Ventura/status/1195888788830117888

3. November 18th – 20th 2019 i was loading up on food, not toilet paper … (mostly organic vegan babyfood smoothies and beans)

https://twitter.com/_Ashtar_Ventura/status/1196249024820645888
https://twitter.com/_Ashtar_Ventura/status/1197300568294936576

4. 19th November 2019: “has bill gates killed himself yet? i thought he wanted to reduce the population?”

https://twitter.com/_Ashtar_Ventura/status/1196805922351398912

5. 29th November 2019: i wear my mask, gloves, hood, and go to the museum for necromancy rituals with Egyptian Mummies.

https://twitter.com/_Ashtar_Ventura/status/1200498786067460096

the mask i was wearing is from KRY clothing, i picked it up in Japan from my trips there in 2017-2019 where i also sometimes wore a mask out of my own choice and etiquette or if it was cold like wearing a scarf, not because the TV or some so-called “expert” tells me to do so

i was wearing gloves, and the eye of horus i made from raw lapis lazuli using a dremel drill clone (and wearing goggles at some points). i also had a 1/4oz pure gold coin offering “falcon of the plantagenets” design.

when the COVID-19 scenario started, the entire world was then instructed to wear Mask, Gloves, and even Goggles (to protect the eyes from a so-called pandemic virus)the same as my Ritual Regalia

Egyptians were vegetarian, i haven’t ate meat since 2012 when i started doing rituals at the Museum and had apparitions appear (i will post about soon). Being vegan means our body is not a graveyard, so any spirits which may want to work may find it inviting and a body as a temple, not as a graveyard.

the cabinet housing the mummies is slightly loose and one can pry it open slightly and inhale the scents of the ancient mummies (one is a falcon, and yes there are human bodies in there). one can smell “Egypt” and the mummies just by visiting that part of the Museum, if one has a good sense of scents/smell.

prior to starting this ritual i had to walk through the “German Market” stalls, and the stench of flesh being cooked was overwhelming and putridly disgusting, all sorts of weird meat being cooked, funky oven vomit, stench from the vents …
before ascending to the 3rd floor of the museum i ate a vegan meal in the Edwardian Tearoom (ET) at the ground floor, the plate was round, and it seemed like symbolically eating the planet, the food of the planet, but also the plate being the planet, round … letting off a series of belches i then walked to the stairs, sort of pointing finger downwards as i walked, indicating something below as i was walking (there are not-so-secret tunnels off-limits to museum staff) and then went to ascend to the 3rd floor.

soon i will post more about the rituals i done from 2012 and the apparition which manifested.

here is the post about the drill i used to make the eye of horus from raw lapis lazuli (lapis lazuli sourced from Badokshan Mines, “Afghanistan”, the same ancient place the ancient Egyptians and Mesopotamians got it from)

https://twitter.com/_Ashtar_Ventura/status/1198971904285192192
https://twitter.com/_Ashtar_Ventura/status/1199085800954224640

TO SUMMARISE:

  • PRECOGNITIVE DREAM about a fiery CORONA on the horizon, symbolic of something about to come soon (and safe to pass through)
  • 「GREET WITH THE FEET NOT THE HAND THAT TOUCH THE MEAT」rhyme
  • hoarding food
  • BILL GATES DEPOPULATION REMARK
  • OPERATIVE & RITUAL REGALIA consisting of JAPANESE FACE MASK, GLOVES, GOGGLE

COVID-19
“CORONA VIRUS, wear your MASK, GLOVES, GOGGLES … DO NOT SHAKE HANDS, GREET WITH THE FEET”
… what?

Posted on Leave a comment

𒀭Ashtar 卐Ventura: Sanatani Sounds LIVE @ 2020.12.17 ~ “BEGINNING OF THE END” & Alien MARS BASE DISINFO PSYOPS COVER-UP OF EXPERIMENTS ON EARTH

Santani Sounds LIVE @ 2020.12.17 2000 UTC anonradio.net SDF.ORG with 𒀭Ashtar 卐Ventura

LIVE CAST talking about “THE BEGINNING OF THE END”, Israeli PSYOPS regarding Aliens and Martian Underground Bases Covering up EXPERIMENTS ON EARTH DEEP UNDERGROUND MILITARY BASES, Vaccine Operation WARP SPEED, etc., Viktor Schauberger Flying Disc technology (“UFO”) Linux Kernel realtime vs server, etc., freestyle as usual …

Tracklist:
1 KANEDA [金田] – 能山城組 Symphonic Suite AKIRA
2 TETSUO [鉄雄] – 能山城組 Symphonic Suite AKIRA
3 It’s Cold Outside – Red Dwarf

Documentary about VIKTOR SCHAUBERGER and the FLYING DISC technology i refer to (including NASA explaining they “lost a piece”, apparently …)
VIKTOR SCHAUBERGER
COMPREHEND AND COPY NATURE (2008)”




Posted on Leave a comment

ZOMBIE STAB  MURDER VAXX 💉☣️

BADGER CULL
ZOMBIE STAB
MURDER VAXX
REGIME TOOL
REDUCE LIFE
WRAITH HEAD
CORONA BOOT
WORLDS FUCK
PEOPLE DEAD
MASKED SUCK
FEOTUS CAKE
ABORTS CELL
MUTANT FETUS
ZOMBIE OBEYS
SHEEPS SINGS
HAZARD STING
LOCKED FUCKS
SUCKED MASKS
REPEAT WORDS
EXPERT TELLS
SHUTUP SERFS
ACCEPT STABS
💉💉💉💉☣️☣️☣️☣️

Posted on Leave a comment

eating/drinking pure leaves is one of the healthiest foods/drink on the planet 🍵🍀

matcha tea is one of the healthiest drinks on the planet 🍵

it’s so healthy because the whole green leaf is powdered & consumed
thus, it is also like eating leaves

therefore leaves are one of the healthiest foods on the planet

not fake medicine

just pure powder leaf 🍀

Posted on 6 Comments

Egypt Temple of Hathor, Dendera “Baghdad Batteries” and Mesopotamian connection

in the temple of Hathor, Dendera, we can see what i think looks liks a device or machine of some sort.
i think the heads which look like jars are actually “Baghdad Batteries” and were transferred technology from Mesopotamia/Sumer

academic egyptologists will claim that the machine is a “Menit necklace”, but i stand firm that they are wrong — take the Ankh for example, people wear a necklace of an Ankh, it does not mean the Ankh is a necklace — it’s that the necklace/amulet represents the object/device. The Ankh is its own thing, not a necklace — the same is for this so-called “Menit necklace”

It is a huge device and i think it was a “Baghdad Battery” array with 4 cells — we can see multiple cells joined together in a large machine to create a sum of energy. On the other side of the murals we see what people commonly refer to as the “Dendera lights”. In the image i use you cannot see the complete mural but take a look at the person in the suit with a “tail” — it looks like a monkey holding 2 knives — i think the “tail” from the suit is for GROUNDING as the person in the protective suit was starting the machine/device, as it was very dangerous not to be grounded. Ancient volatile electricity generation.

The ancient electrical objects are anthropomorphised to symbolise that they are “ALIVE”, as in “LIVE” power. We still use the terminology “LIVE” in modern times.

the person behind the one in the protective suit is holding a staff which grounds the “tail” of the person in the suit, there is also a large vertical object keeping the “tail” grounded along with the staff — it looks the same shape as the knives so it is metal grounding object for safety.

BELOW IS MY VIDEO FROM Dec 11, 2019 (2019.12.11) — It also includes my discoveries of Shiva & Akhenaten symbolism connection. (Vedic – Egyptian – Mesopotamian connection)

the person behind the one in the protective suit is holding a staff which grounds the “tail” of the person in the suit, there is also a large vertical object keeping the “tail” grounded along with the staff — it looks the same shape as the knives so it is metal grounding object for safety — THE VIDEO I TOOK THIS SCREENSHOT FROM DOES NOT MENTION ANY OF THIS … I MENTION IT THOUGH IN MY VIDEO BELOW:

HERE IS MY OWN VIDEO WHERE I SHOW MORE AND EXPLAIN MORE :::
MY VIDEO FROM Dec 11, 2019 (2019.12.11) — It also includes my discoveries of Shiva & Akhenaten symbolism connection. (Vedic – Egyptian – Mesopotamian connection)

the academics are misdirected by their “tutors”
some of the “tutors” belong to secret societies who intentionally misdirect the outsiders
the secret societies are full of stupid people trying to get rich quick and get into positions of power

very few are genuine.
and even the “insiders” are lacking knowledge, vision, wisdom, or any real ability to see and know.

Posted on Leave a comment

i temporarily locked down my twitter again for this season — then twitter coerced me into giving a phone number!!!

i temporarily locked down my twitter again for this season — then twitter coerced me into giving a phone number!!! they would not let me log back in without handing over a phone number! there was no phone number associated with the account before!! it is Coercion!!!

temporary Ashtar Command lockdown in effect

singular temporal quantum timeline switch

quantum hispanics