One of the key reasons classic text-based RPGs such as the legendary FFVII were/are so powerful:
The ability to enter your own name as the protagonist (“cloud”), in a text-based RPG, enables the game to speak to the role-player’s conscious mind, subconscious mind, and unconscious mind.
This powerful key feature is *absolutely* absent from modern voice-acted RPGs and the remake.
I’ve said before that they should at least attempt to use modern voice synthesis which is able to SPEAK the player’s name, alongside the voice acting. This is the only way to even get close to such dimension of what an RPG is supposed to feel like. A role-player could even use their own voice to train a “deepfake” machine-learned “A.I.” voice for the protagonist.
in the case of the original FFVII in particular for example, the game exploits this further by eventually revealing to the role-player that “cloud” is not who he thinks he is, his memories of his past are false, and he falls into the life stream and has to find his “true self”.
You were telling people before that you were EX-SOLDIER 1st class …? No… that was Zack… remember? Zack died… you picked up his sword though … that wasn’t you in that old photo you remember … that was also Zack …
Thus, the role-player experiences “oh… this is who i really am”, and continues the role-playing game from there.
This is of course even more effective to younger players as they may still be developing their sense of “true self” and identity in the real world.
In various parts of the game, a high frequency constant tone may sound like tinitus, the screen may flash, fade or suddenly switch to a pure black or pure white screen, then dialogue text appearing, speaking to the role-player’s mind, akin to an inner voice inside one’s head, but other times as an external voice speaking into the mind … JENOVA? Sephiroth? Cloud’s consciousness? Are you a puppet? Hmm? Who are you? Are your memories real?
In this way, it was a true masterpiece which exhibits and exploits techniques which yield powerful experiences and effects to the role-player which is impossible for voice-acted RPGs to achieve… unless they implement realistic voice synthesis to speak the role-player’s inputted name, and exploit “deepfake” machine-learning for the protagonist to mimic their real voice.
so, when will we get good voice synthesis for RPGs? machine-learned player voice? wen FFVII remake voice synth mod?enter your real friend’s names as the other party members? train their voice etc?
let’s mosey (where to? the knowlespole? or temple of the ancients? let’s maybe talk to the JENOVA’s witnesses, where have all the Cetra people gone anyway… ?)
related: South Crypt mural, the so-called “dendera light” (A.Mariette: “Crypte 4”) in the same crypt as the only other depiction of the so-called “Menat Necklace”
Wolfgang Waitkus: “Die Texte in den Unteren Krypten des Hathortempels von Dendera” (Crypt East 1 A East Wall)
dendera HatHor crypt text:(“[Come] in peace, In-Secret-Initiate of holy places, young man [……rest destroyed]”)
in the chambers above the crypts of the temple of HatHor in dendera, there exists the only other mural of the so-called “menat necklace” device, also depicted in one Crypt (A.Mariette: “Crypte 4”). i was lucky to get photos of this, and i cannot find any other photos of it online.
compared to the one in the crypt, if we look closely, it has slight variations on the details. of particular interest it seems to show equidistantly-spaced cylinders around the cables, as opposed to a series of circles.
this arrangement matches the unlabeled artefacts i found in the Cairo museum: copper & iron rods with equidistantly-spaced cylinders around the rods, grouped with heads of HatHor “terminals” (see below — i am also awaiting a reply from the ministry of tourism & antiquities regarding any information on them)
the undocumented, rarely-seen section:
equidistantly-spaced cylinders around the cables (in contrast to a series of circles) the “terminals” are styled as heads of HatHor as usual, but the cables seem to terminate differently this variation too, a “flower” appears on the left bottom piece:
Unlabeled, rarely-seen museum artefacts match the device
LOOK AT THIS AMAZING NECKLACE!!! <3 (the unlabeled cabinet i discovered in the Cairo museum — cannot find a photo of this anywhere else or any information on it)
iron rod, copper rod, equidistantly-spaced cylinders around the copper rod, and terminal-like parts styled as the heads of HatHor
the different variety of the cylinders and heads may indicate different usage and functions. some have square holes, some have round holes, some are different materials/colours, some have bulges, etc., and we see one type of cylinder used repeatedly along the copper rod. they also may have been experimenting to find optimal materials.
the copper and iron rods exhibit high levels of rust/oxidation — the iron rod in particular — possibly from immersion or exposure to fluids, for example using an iron rod surrounded by copper, in a jar filled with electrolytic fluid (grape juice, etc) similar to the “baghdad(/parthian) batteries”.
there most likely are many more related artefacts in their collection
below is the mural variation from the crypt, the only other place it is depicted in the entire dendera complex, note here we do not see the equidistantly-spaced cylinders, nor the “flower” at the base of the left piece … possibly simplified elements … (the zig zag inside the circle is missing from A.Mariette’s 1870s drawing):
South Crypt mural, the so-called “menat necklace” (A.Mariette: “Crypte 4”)
Cases of Compartmentalised technology, secret inventions in Ancient temples such as in Alexandria, kept secret from lay worshippers, engineering the presence of gods
Statues in temples that would “cry blood”, there were thunder machines in temple roofs that would emulate the sound of thunder as a sign from the gods, altars for fire sacrifice that would cause a door to open when the fire was made — statues that animate — and even lesser known would be ritual objects and electrified statues that would either shock the common worshipper or cause a tingling sensation — and ones possibly with electrically-illuminated elements.
it is known that in various ancient temples including in Alexandria the initiates/elite priests of those temples sometimes exploited secret inventions & “magical” technology to create impressions on the lay people who came to worship, effectively engineering a sense that “the gods” were present, or that a prayer or sacrifice was answered, etc.
Much of this “temple technology” was kept compartmentalised & secret, it was for the initiates (maybe prescribing punishment of death for revealing secrets), and the common people were not taught these early “magical” technologies. The secrecy of the early esoteric temple technology was absolutely essential for the desired effect.
Consequences of this is that the technology is easily lost to the sands of time, after wars. in cases where we do find references, key pieces may be in a symbolic form which was only easily-understood by the initiates (i.e: Agastya Samhita listing “the neck of a peacock” ingredient, which was a symbolic reference to copper sulfate to make electrochemical jars, copper sulfate being the same colour as the neck of a peacock)
We have a few documented examples of related technology such as from Hero of Alexandria though there must have been much more, not least the public inventions lost to the destruction of the library of Alexandria, but also the secret temple technology which required strict secrecy of the inventions for them to be effective in maintaining the “presence of the gods” effect. It simply would not have the desired effect if people could see “the wizard pulling levers behind the curtain”
the Encrypted Ritual Objects of the HatHor temple Dendera were “Given Life” on Holy Days and Brought Up
In the case of the temple of HatHor at dendera, we know the crypts were for the initiates of the secrets, and the special “ritual objects” were kept down there, together with symbolic esoteric murals for the initiates:
Wolfgang Waitkus: “Die Texte in den Unteren Krypten des Hathortempels von Dendera” (Crypt East 1 A East Wall)
(“[Come] in peace, In-Secret-Initiate of holy places, young man [……rest destroyed]”)
Those “ritual objects” were brought up from the crypts only on specific festivals and holy days, and on those days it says they were “given life” in the crypt and brought up — the Ba/Ka (energies of life) were manifested in the idols on those special days, and the people rejoiced in reverence
Wolfgang Waitkus: “Die Texte in den Unteren Krypten des Hathortempels von Dendera” (with a dodgy google translate)
Given that we know Alexandria and other locations had “temple technology” to amaze the oblivious lay-people, it would make sense that the “Ritual Objects” that are “Given Life” from the crypts of the temple of HatHor most likely exhibited “magical” properties to engineer the sensation in the lay people that the gods were truly present on those special holy days, when they took the ritual objects to the roof and other places for a spectacle, a microcosmic ceremony where the images of the gods were “given life”, made themselves apparent, much more than just simply bringing up lifeless statues.
Huge key sections of the crypts have been hacked off, but even with what they left us we can see what appear to be symbolic references to technological devices, and possible archaeological evidence of electrical components for some of those devices in an unlabeled cabinet in the cairo museum (iron rod, copper rod, cylinders, HatHor head terminals).
The Agastya Samhita told us to use “the neck of a peacock” to make electricity, we now know it meant copper sulfate.
So what of harsomtus the serpent coming alive and being contained in the hn-container, supported by the anthropomorphised djed pillar, the “ba” and “ka” energy manifesting, etc.
One must strive to see these crypts through the eyes of the initiates of the secrets, not as a lay-person.
more to come, and will be updated with more sources, references, and connections…
a small selection of many photos i took of mostly South Crypt (A.Mariette: “Crypte 4”), where the so-called “dendera light” mural is located, the same Crypt with the so-called “menat necklace” with cables coming out of the head terminals. All the main murals of West Crypt (“Crypte 7”) have been mostly hacked off …
SEE MY NEW VIDEO OF UNLABELED ARTEFACTS I FOUND IN THE EGYPTIAN MUSEUM IN CAIRO:
THESE HAVE NO DESCRIPTION AND THEY WERE PLACED AROUND ARTEFACTS OF THE HEAD OF HATHOR, AT THE TOP OF THIS MAIN CABINET THEY HAVE PLACED 2 EYES AROUND WHAT LOOKS LIKE A BLUE SCARAB, VERY SYMBOLIC:
::: NOTE: SINCE POSTING THIS IN HASTE I LEARNT MORE KEY PARTS, OBTAINED TRANSLATIONS, ETC. THERE ARE SOME INACCURACIES BELOW, AND ALSO THINGS I CAN EXPLAIN IN BETTER DETAIL WHEN I COME BACK TO FIX THIS, BUT THINGS FIT AS THEY SHOULD! :::
Crypt East 1 A East Wall:
“[Komme] in Frieden, In-Geheimes-Eingeweihter der heiligen Stätten, Jüngling […… Rest zerstört]”
(“[Come] in peace, In-Secret-Initiate of holy places, young man [……rest destroyed]”)
this is a BIG UPDATE to my previous post concerning depictions of what i believe to be the “baghdad batteries” (electrolytic cells) symbolically depicted in the crypts of the temple of HatHor, dendera.
i will make a comprehensive video soon, in the meantime please explore this post.
i recently travelled to Egypt in March to April to see the temple of HatHor and the crypts there in-person. i also visited many other temples and the museums, of importance here is Cairo museum in El-tahrir square. i discovered much more than i expected.
to start, please check out my new 13 minute raw video below i filmed down “Crypte 4″ (A.Mariette) in the temple of HatHor, dandera. i have video of the other crypt “Crypte 7” (A.Mariette) which has all the main pieces destroyed/hacked off, i will upload that soon.
bear in mind THESE ARE CRYPTS, NOT TOMBS. these crypts hold ENCRYPTED INFORMATION reserved for the elite priests/priestesses of the time, INITIATES OF SECRETS, only they would be allowed down here, and they once held important “ritual” objects/devices/technology which have since been looted/destroyed/kept in private collections.
important note: SOME OTHER CRYPTS IN THIS TEMPLE WITH THE SAME NARROW LAYOUT HAS THE MAIN SECTIONS HACKED OFF AND REMOVED, SOMEONE DOES NOT WANT US TO SEE WHAT WAS THERE. IMAGES & VIDEO SOON.
What i observe here i believe to be the following (i may be going along the sections in reverse, or maybe not, but the information i can derive this way, starting from the “baghdad batteries”):
1. the so-called (HUGE) “Menat necklace” is depicting 4 “baghdad batteries” (more accurately electrolytic cells: a clay/other jar with an iron rod inside, the rod surrounded by copper, and filled with electrolyte fluid such as grape juice to create a small amount of electrochemical energy).
2. from these jars we see the “beads” which are small circles, representative of small amounts of energy moving to merge into the bigger piece on the left into the platform, to create a larger sum of energy.
3. between the 2 jars on the right, we see a large circle of power, on a boat, with the symbol for water (zig-zag) inside it. Hence, it is telling us the energy is like a water current flowing, moving, as if on a boat. We use the same terminology in modern times (electrical currents), and it can also relate to the use of electrolytic fluid (“water”) inside the jars (“baghdad batteries”)
4. on the section to the left of this we see a boat with a lotus flower opening, and a live serpent emerges from the lotus flower. the lotus flower opening represents the un-insulated naked cable/resulting electrical discharge and the live serpent is live electricity or live wire — the boat in this section differs also in that it has a lotus flower as one of its sides.
5. the section opposite (i interpret as the big picture “corresponding” section) the boat with a papyrus flower(?) has a similar set of symbolism, this time it has a person holding the “lotus vine” (i believe to be the sheatehed/insulated part of the cable — safe to hold), with the dangerous part of the wire/discharge coming out of the sheath which is symbolised as the LIVE serpent emerging from the lotus flower. they cannot touch the live serpent because they will get “bitten” (shocked).
6. THE NEXT SECTION IS THE END OF THE LEFT SIDE OF THE CRYPT. THIS SECTION IS COMMONLY REFERRED TO AS THE “DENDERA LIGHTBULB” but it may be representing electrical generation and power in general, maybe a generator or other device harnessing the live serpent at both polarities.
7. OPPOSITE THIS SECTION (what i interpret as the “correspondence”), WE SEE SOMEONE IN A PROTECTIVE SUIT BEING GROUNDED/EARTHED, BEHIND THEM IS A PERSON WITH A STRAIGHT SERPENT STAFF PINNING THEIR “TAIL” TO THE GROUND FIRMLY. STRAIGHT SERPENT SYMBOLIC OF THE POWER BEING CONTROLLED AND NO LONGER “LIVE” THE PERSON IN THE SUIT HOLDS TWO KNIVES WHICH IF FOLLOWED VIA THE ARMS MOVING DOWNWARDS WOULD MAKE CONTACT WITH THE TWO TERMINALS (“HANDS”), THE HIEROGLYPHS NEXT TO THE PERSON IN THE SUIT INDICATE THAT THE KNIVES HAVE THE POWER TO CREATE LIFE OR DEATH (they can start the system to generate the electricity, but it’s so dangerous it could kill someone if they use it wrong, hence he must be grounded, and protected)
will update this very soon, publishing now to get out there
Twitter are also asking for my phone number again, yet i do not have a phone number associated with my account. This is coercion to get me to hand over personal information which i do not trust them with.
Here is the “violating” tweet and i will show a screenshot of the entire thread (with a marker showing where this comment was) … i have also appealed their action and will show my appeal at the bottom of this post:
screenshot of the entire thread (with a marker showing where this comment was):
MY APPEAL:
i have violated no policy, please show me which policy i have violated, i need to know exactly what i said that allegedly violated a policy so that i can prevent violation in the future.
account locked after sharing a scientific theory based on real scientific data, twitter are asking for a phone number, i do not have a phone number associated with my account, i request another form of verification (email).
the post in question i state my THEORY that “INFLUVAC TETRA” may have caused virus interference in 2019, leading to more aggressive seasonal coronaviruses & metapneumoviruses, in the tweet in question i am talking about the potential unintended effects of influenza vaccines as per established medical studies, for example:
“Receipt of influenza vaccination was not associated with virus interference among our population. Examining virus interference by specific respiratory viruses showed mixed results. Vaccine derived virus interference was significantly associated with coronavirus and human metapneumovirus“
i am sharing that that the influenza vaccine can make seasonal non-influenza respiratory viruses more aggressive, an effect known as “vaccine derived virus interference” as is established in the scientific literature already as you can see from such example above. narcolepsy & seizures are well-established side effects of flu vaccines going as far back as 2009 swine flu season, there is no debate about this, they are official adverse events and observed worldwide.
again, please understand i do not have a phone number to associate with my twitter account, and that my theory is based in sound scientific data, and i am not saying “this is sars-cov-2”, but that in 2019, the regular coronavirus(seasonal) may have got more aggressive from virus intereference as is established previous years in the scientific literature.
furthermore, all microwave transceivers (not just “HUAWEI”) are multi-use technology and can be used for purposes other than data transmission such as modelling the weather by interfering with O2 and H2O absorption regions of the microwave spectrum, see: https://rammb.cira.colostate.edu/training/shymet/training_sessions/oxygen_and_water_vapor_absorption_bands/oxygen_and_water_vapor_absorption_bands.pdf foundational course documentation showing the regions of the microwave spectrum for O2 and H2O intereference, to measure weather data by microwave absorbtion regions (22GHz, 60GHz, etc.), NASA/JPSS data. if transceivers at these frequency bands are pointed at people on the ground and at high intensity then it may potentially interfere with O2 in that person and cause ill effects.
i also state clearly, it is my “theory”, i am not claiming “this is the fact and only truth”, i am open to replies and discussion which is the proper scientfic method.
i have violated no policy, please show me which policy i have violated, i need to know exactly what i said that allegedly violated a policy so that i can prevent violation in the future.
sincerely
They have not replied to the appeal yet, i will wait to see how they respond. In the meantime i cannot access my account: https://twitter.com/AnsonyManji, but it is still visible for all other people to browse.
HUAWEI logo is an ideograph of a Human Brain – EM waves to the brain. What does a crowd control system for over 1 billion people look like? Brain/Body <-> Machine Wireless Interface
Remote Incapacitation and induction of ARDS (Acute Respiratory Distress Syndrome) Increased Permeation of the Blood-Brain Barrier (known since 2G/GSM tech era)
payloads。 💉☣️🧬😵🤕🥴 defects are not side effects。 menstrual defects are fertility defects。 bell’s palsy defect is like from the film “AI: Artificial Intelligence” (2001)
SHIVA as NATARAJ (COSMIC DANCE “TANDAVA”), crushing “Apasmara” (“fierce”/”fiery” form)
It seems to me that SHIVA as NATARAJ(A) is the same form as Mesopotamian UTU/SHAMASH
They both appear to be hitting the ground with a “fiery landing” from above (hence the fire/smoke trails)
UTU/SHAMASH “cuts the mountain”, and SHIVA as NATARAJ (performing the COSMIC DANCE TANDAVA) “crushes Apasmara”
SHIVA’s Trishul (Trident) seems to be related to the symbol to the side of UTU/SHAMASH which seems to be formed from AN (dingir) at the top, with one point extending down to the earth (KI?) … AN = Heaven/Sky/God … KI =Earth … the symbol opposite seems related to SHIVA’s drum (Damaru)
They also both wear elaborate helmets in their depictions
Other symbols also correlate and seem related, in their hands.
I think the fact Shiva has many arms holding different items is so the people could depict the deity in one image (he had this, that, another thing, power of this, that, etc.), hence, many arms are shown in Hindu deities, as they hold various weapons, tools, and other items that may be symbolic of certain powers or attributes, though … they may have had many physical arms i think it is to show everything in one form …
below is an old video from December 2019 where i initially rambled about my observations … this video was unscripted and rushed, i made a couple of mistakes (corrected in comments), as i felt a slight “eurika” moment as the symbolism correlation clicked, i wanted to share it, and i don’t know anyone else who has noticed these SHIVA + UTU/SHAMASH connections … the 2nd half has clips from a video regarding SHIVA as NATARAJ in particular and the “COSMIC DANCE”:
my video from December 2019, hasted, no script, few mistakes which i correct in comments …
if anyone sees this and has any input, any more observations and links, please let me know via commenting on this post or email, cheers.
now MILLIONS of people are being INJECTED with modified ADENOVIRUSES falsely dubbed “coronavirus vaccines”. They are modified to include the so-called “SPIKE PROTEIN” which supposedly makes a different virus more infectious.
AstraZenca, Johnson & Johnson, Sputnik V, and more, all use ADENOVIRUSES as the PAYLOAD “vector”
they claim the Modified ADENOVIRUS is “replication deficient”, but who cares when it’s injected into millions of people and then potentially REASSORTMENT can occur with existing, REPLICATING ADENOVIRUSES?
There is now a real potential for new strains of the ADENOVIRUS, potentially with the so-called “SPIKE PROTEIN”
Are they checking for such reassortment and new strains of ADENOVIRUSES? No. They are copying homework of pseudoscientists. Useless Repeaters.
related reading: “PIGS AS MIXING VESSELS” for pandemic influenza strains, virus “REASSORTMENT”, “REASSORTANT” virus strains.
